Lorna Dee Cervantes: "Beneath the shadow of the freeway". An interpretation of the poem

Lorna Dee Cervantes: Beneath the Shadow of the Freeway The flesh of the meter is not belatedly to determine. It consists of six stanzas of uneven length, which are, except for the first and fifth, once again split up into sub-stanzas. The meter is irregular as hearty as the length of the verses and there is withal no create verbally scheme. Cervantes plays very freely with the structure of metrical compositions. She does not use an formal type of poem and ignores rhyme and meter, but she presents her words graphically in the form of stanzas, in separate but think sections. The six important parts are numbered. It can be assumed that the placement of the verses was done consciously and that it aims at a certain response on the side of the reader. Each time a stanza or sub-stanza starts, a kind of pause emerges. This besides allows the poem to exact spatial and temporal leaps without transitions, but it as well increases the difficulties concerning the understandin g of the text. In addition to that, many things are merely vaguely hinted or ambiguously presented. The inherent continuity of the poem is achieved by its themes and by its imagery. The first section deals with the shadow of the pike, the image that is also in the title of the poem. It becomes obvious that the speaker unit lives contiguous to a state highway; she can watch it cover across the track from her porch. Every day she notices that the shadow of the freeway lengthens. This is interesting, because freeways usually do not cast shadows, they are flat. This seems to allude that the freeway is real a metaphor, so the speaker lives next to either a real or a figurative freeway. The family is introduced in the aid part. It is an all-female family, consisting... If you want to get a all-inclusive essay, order it on our website: BestEssayCheap.com

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